Trevor Wamboldt owns four suits. I thought he’d have to own more. He says he’s more of a t-shirt and sweatpants kind of guy, anyway. Right now he’s wearing jeans and a sweater, though. His socks are linty, his face is stubbly and his hair is graying. He wears glasses and he’s sitting with his arm over the back of the white sofa in his living room. The cat, named Bobo, comes by. Trevor tickles Bobo under the chin with his toe. Across from the sofa, there’s a rack of Disney movies on VHS by the TV. His daughter just turned 11, so there are balloons all over and a banner that says, ‘Happy Birthday!’
Trevor Wamboldt is the guy who will pick up your dead body, drain your blood and embalm you, dress you up and put you in a box so your family can say goodbye. He’s been in the funeral business for 23 years, starting out as an embalmer and having worked his way up to being a funeral director. For nine years, he’s been working at Atlantic Funeral Homes in Dartmouth.
You might expect people in the funeral business to be creepy, morbid and unsmiling. Trevor doesn’t strike me as any of these things. He says a funeral director takes care of families more than the deceased. He says you “have to be a little bit of a grief counsellor [and] a whole lot of a people person.” He says he doesn’t find his job depressing.
“If you can sit with someone who just lost someone and actually have them smiling and laughing a little bit… [it’s not] depressing at all.”
But every so often, the job will get to him.
“Everything gets to you once in a while. Children are hard. When you have to bury a child. That’s hard. People always ask me that. ‘Do you mind dealing with children?’ I mean, yeah, it’s tough. But I remember once, I buried this little old lady who’d been married for sixty years and her poor husband came in and he was just sitting there devastated. He was crying and his kids were there [and] his grandkids were there. And the only thing I could think was, this poor old man. He wasn’t going down there to look at his wife in a casket. He was going down to look at his whole life, his whole existence. His kids would go back home to their computers and his grandkids would go their soccer games, [but] all of the sudden, his life was over. I felt more sorry for that old man, I think, than anyone else I’ve ever seen go through there.”
And in 23 years, Trevor has seen a lot of people. He’s seen a lot of death. He’s buried stillborns and people who have lived past 100. He’s buried homeless people and the incredibly wealthy (“Five limousines, the whole kit and kaboodle.”)
What makes a person want to do this job? What kind of person wants to do this job?
Trevor says he’s just “always been interested in it.”
He says he’s never had a problem dealing with grieving people because he’s always been a “people person.” When his grandparents died, his father, a photographer, took pictures of the grandparents in their caskets.
“Most kids, when they’re young, they’ve got prom pictures in their photo albums. I have pictures of people lying in caskets. Kind of evolved, I guess.”
In Trevor’s day, you didn’t have to go to school to become an embalmer or a funeral director. He just walked into a funeral home off the street and asked for a job. He was 18.
These days, you’d have to study with a school like the Canadian College of Funeral Service (CCFS). It is a combination of online courses and hands-on experience, like having the opportunity to embalm a body. They offer programs in every province.
Trevor says a lot has changed in 23 years. Not only the schooling, but also who decides to go into the business. It used to be that the funeral home staff was all men, “like the old boys club.” Now, he says, more women are getting involved in the business.
Sonja Goyer is a student at the CCFS. Why is she in the funeral business? “My husband says, because I’m a nut. It’s just something I’ve always been drawn to. I’ve never had an intelligent answer for that. It’s just where I’m supposed to be, it’s just what I’m supposed to be doing.”
When she started out as a funeral attendant, she was incredibly uncomfortable around dead bodies and thought about quitting. But she knew being in the funeral business was her calling and so she powered through.
At CCFS, the students take eight courses, including “Sanitation & Hygiene,” “Funeral Service Ethics” and, of course, “Embalming Theory.”
Sonja says preparing a body takes about two hours. The body is taken out of the body bag and placed on the embalming table, then sprayed with a disinfectant and scrubbed from head to toe. They get rid of rigor mortis by massaging and flexing the arms and legs. Incisions are made on the neck of the body and tubes are inserted into the carotid artery and the jugular vein. The tubes are hooked up to a machine that sucks the blood out and pumps embalming fluid in. Then, a needle called a trocar is put into the abdominal cavity through an incision above the belly button. Blood and other fluids are sucked out and embalming fluid goes in. All the incisions are closed up and then the body is washed again.
There’s a lot more that goes into it (like gluing the eyelids shut), but that’s a basic run-down.
Trevor says, “People think [being a funeral director] is a glamourous job, where you drive the big Cadillacs and you’re the guy front and centre, but there’s a lot of behind the scenes stuff that people don’t see.”
Glamourous? Of course. Sure.
But he’s right about there being a lot going on out of view.
“People don’t see you missing the kid’s birthday parties or the Christmas dinners or something because you have to be at work. They don’t see all that. Or the holidays, when everyone’s gone to the beach and you think, ‘Well, here I am in a suit in July.’ July first, you know. Thirty degrees and I’m at the funeral home.”
The funeral business is a 24-hour undertaking.
“Just as many people die in the middle of the night as they do in the middle of the day.”
When he’s on call, any calls to the funeral home get forwarded to his house. “If you were to call the funeral home number right now, you’d get me. It would ring here.”
But Trevor has no qualms about the long hours or the phone ringing late at night. After 23 years, he says he’s used to it.
Lindsay Rainingbird, a Dalhousie University student, responds “Tim Burton,” when asked what she thinks a funeral director is like. She goes on to say she pictures someone “dark” and “spooky.”
She seems to be describing the opposite of Trevor.
Jayde Atkinson, another student at CCFS, says, “We’re a lot more normal than you’d think we are… Well, I’ve got dark hair and pale skin, but we’re not all creepy and dark. [Funeral directors are] quite honest and open. They are a good group of people, they are there to help and they are well-educated.”
Trevor acknowledges that there is a certain stigma attached to his career and that people often think of “the morbidness of it.” But most of the people in the funeral business are just normal people who, it just so happens, aren’t creeped out by dead bodies. And they have a much healthier attitude toward death than the average person.
Trevor will pick up your body and embalm it, but he also goes treasure hunting with his metal detector on the weekends (he found a ring on a beach, once). He will deal with your grieving family, but he also brews his own beer. He will glue your eyelids shut, but when he gets home, he just wants to watch a comedy. “Anything with Adam Sandler’s good.”
Trevor says, “I didn’t know whether I was going to buy this house. But we planned on it [and] we saved for it, even though I knew it might not happen. My little girl, I don’t know whether she’s going to go to college or not, but you plan on it, just in case. But, boy, one thing you do know is we’re all going to die. It’s a given… You’re going to die eventually, so live while you can.”
Trevor’s funeral has not been pre-planned.